<![CDATA[ffion medi jones - Notes and Blog Tasks]]>Sat, 26 Feb 2022 01:22:45 +0000Weebly<![CDATA[Session 8: Postmodernity & Visual Culture]]>Tue, 11 May 2021 22:59:08 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/session-8-postmodernity-visual-cultureRecap 
Postmodernism is a broad movement that developed in the mid- to late 20th century across philosophy, the arts, architecture, and criticism, marking a departure from modernism
HIGH V LOW CULTURE
HIGH
  • depth
  • high value
  • spiritual
  • elitist
  • long lasting
  • serious
  • unique 
  • politically motivated
LOW
  • surface
  • low value
  • commercial 
  • popular
  • transient 
  • gimmicky
  • mass produced 
  • politically influenced 
Order of the Simulacra (from Baudrillard) The representational image-sign goes through 4 key stages; Stage 1) It is a reflection of a basic reality.
Stage 2) it masks & perverts a basic reality.
Stage 3) it marks the absence of a basic reality.
​Stage 4) it bears no relation to any reality whatever.

Blog Task.

I looked over the text with a peer of mine and we analysed it together. 

Notes from the session 

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<![CDATA[Week 7- Global Culture & Ethical Design]]>Sun, 21 Mar 2021 00:00:00 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-7-global-culture-ethical-designI was unable to attend the lecture this week, but one of my peers let me use his notes to catch up on what I'd missed!!! ​

Blog task: Examples of Designers / Artists who take a strong political / ethical stance in their work.

Banksy is probably one of the most famous examples of a politically / ethically motivated artist using their art as a platform to raise awareness on various issues in our world which are displayed to the public via graffiti.
Norman Rockwell - The Problem We All Live With from 1964
Norman Rockwell’s painting The Problem We All Live With is directly addressing the racism in America and the universality of the people being affected with these harmful politics. The painting reflects the real fact that the African-American girl was escorted on her way to elementary school by four US marshals, walking in front of the protesters in 1960 at New Orleans. Racist graffiti, limited freedom of movement, racial segregation at schools were the reality of the American south in 1960s so the artist raise a voice against it and made this important and influential political artwork.
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<![CDATA[Week 6- Gender & Identity]]>Sat, 20 Mar 2021 00:00:00 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-6-gender-identityThe Tiger Who Came to Tea 
What I found interesting when we were asked to analyse this story was all the different and 'deep' interpretations people had of the story. Some argued it had sexist undertones, the tiger was actually a 'bad' figure, a metaphor for something...the list could go on. However, when I read this story, I simply see a children's book that serves to elevate children's imagination with its fantasy element. I think that it is an innocent story with no hidden meanings, it is there to entertain children, it's a fun and imaginative story, nothing more. Even the author herself reveals that there are no deep hidden meanings in it: 

Magazine Cover Analysis

GQ Magazine
  • Joe Biden- president = POWERFUL, AUTHORITATIVE
  • pose is relaxed? Shows a friendly side possibly? 
  • Masculine- sharply dressed in a suit
  • USA - colours in fonts represent the American flag  
  • Professional photoshoot- well thought out, background of the whitehouse = depicts the person in the picture. Edited, airbrushed 
  • contents are based on the edition of the magazine, in this case PRESIDENTIAL. However includes other things like fashion and story insights etc. 
Cosmopolitan 
  • Actress is the cover 'star'- magazine features a section on her
  • posed, professional photoshoot again, however no complex background. Focus is on the actress
  • make-up, air-brushed, edited
  • taster of the content such as- Lifestyle, fashion, 'hacks' (not necessarily targeted to one gender) 
  • Bright orange is eye-catching , colours create a bright cover = more likely to catch your eye on the shelf = stand out 
These magazines contents are viewed in society as appealing to one gender only, GQ for men and Cosmo for women. I don't see how this is a problem, I think that having a mens magazine and a womens magazine is great, and if I found something I wanted to read in a mens magazine, nothing is stopping me from picking it up and reading it, similarly there's nothing stopping a man from picking up a 'womens' magazine and reading it. We all like different things, women like different things to men and vice versa, sometimes we like the same things, sometimes what someone likes as a girl or what someone likes as a boy is considered strange in societies view. All of these things are down to personal preference. 

A magazine has a target audience it needs to appeal to in terms of content, it doesn't necessarily have to be in terms of gender. The only reason we view them as being targeted towards a specific gender is because generally women will want to look at hair, fashion and makeup tips more than men will want to look at something like that. If the magazine wasn't selling well, I'm sure it would change its content, however it has been like this for years which shows that its general audience is satisfied with it. 

Laura Mulvey's Visual Pleasure and Narrative Cinema

Mulvey’s essay seems to be heavily influenced by the theories of Freud (throwback to A-LEVEL) and Lacan. From what I can gather the essay explains how women are always placed as a position of ‘desire’ in classical Hollywood cinema; going further to say that the classic Hollywood cinema more-or-less always assumes that the viewer is male. This brings us the idea of the male gaze and how it is prevalent throughout cinematic history.
 
The essay explores how filming strategies in Hollywood cinema are a result of the male-centric Hollywood, eg. Women as objects of desire, close shots of the legs, women viewed in an erotic way, fetishism etc. She argues that this provides a ‘narrative pleasure’ for men and men alone.
I was rather confused by this essay to begin with, however towards the end I kinda got it all. It is true that women are usually hyper-sexualised in film, and if they do not reach the societal norms of what is considered sexual and attractive, they are often the ‘joke’ of the film. It is evident from this essay that many women are treated merely as objects for example within the essay the notion of female characters are first coded as castrated, or merely as those that do not possess the male sex organ is explored. Women are merely an object of eroticism for the male characters.
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<![CDATA[Week 5- Subculture and Style]]>Fri, 19 Mar 2021 00:00:00 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-5-subculture-and-styleNOTES 
  • Subcultures - Can be traced back to the 1800s.
  • Deviant groups of urban underclass. 
  • rebels against parents or mainstream culture.

Mainstream Culture - content and themes that are popular at the time - Dominant ideology that reflects the interest of social groups. Governed by consensus - themes and ideologies only remain relevant while they are engaged with and popular. 

Subculture is a breakdown of consensus. 
- A refusal to participate in mainstream culture
- Subvert parody or disrupt elements of mainstream culture.
The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s.

Allen Ginsberg’s Howl became the most representative poetic expression of the Beat movement: the poem itself embodied the essence of the Beats’ voice; its first performance, in 1955, was a disorderly celebration; and the obscenity trial, in 1957, that followed its publication showed the movement’s social and political relevance.

Squares vs Beats

Square Values

Mainstream Culture
deferred gratification/planned future action (taking out loans for cars, houses etc)
Conforming to bureaucratic rules
comfort in routine - strong work ethic
consumerism = status
Emphasis on family as a moral centre
heavily defined gender roles (Housewife / working husband)
deference to church / state
fatalism

Beat Values
counter-cultural 
hedonism - leads to personal enlightenment
Spontaneous action and new experiences
non-conformity
distain for work ethic.
spiritual with an interest in other (Eastern) belief systems
anti - materialistic
non-binary relationships
belief in self-autonomy. 

BLOG TASKS.

What is a subculture? 
A subculture is a group of people within a culture that differentiates itself from the parent culture to which it belongs, often maintaining some of its founding principles. Subcultures develop their own norms and values regarding cultural, political, and sexual matters.

this article goes on to explore Japanese subculture: 
https://www.futurelearn.com/info/courses/intro-to-japanese-subculture/0/steps/23560

Post visual examples of cultural capital (fashion, graphics … etc) for a subculture of your choice.
I think that Drag is a subculture of the our culture today. One of the biggest traits, or behaviors, that this group has that differs from the culture-in-general is that they dress and act in a way that deconstructs our understanding of gender. They create and perform personas, through their dress and actions, that demonstrate the fluidity of gender. This stands out against the culture-in-general, as gender has been socially constructed to be in a binary state, one of these binary's being men and the other women. 
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<![CDATA[Week 4- The Graphic Code of Comic Books]]>Thu, 18 Mar 2021 00:00:00 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-4-the-graphic-code-of-comic-booksKey Components
panel - contains the content
gutter - separates each panel
speech bubble - provides a base for speech to be interpreted by the reader.
Onomatopoeia - sound effects
Symbolic Icons - Varies from culture to culture. 
Character abstraction - appearances can change to a degree, some artists draw simplified characters that readers can project themselves onto. 

Transition Types 

Moment to Moment
 - Small lapses in time, little closure needed. EG, a smile forming, spider moving up a blanket

Action to Action
 - Same character / setting but different actions. EG, A car driving on one panel, crashing on the next.

Subject to Subject
 - Same scene / concept but different subject / character. EG two characters perspectives.
Slightly more cognitive engagement required by reader to make sense.

Scene to Scene 
 - Geographical location - Significiant.
 - Movement of time / space EG, "10 Years later..."
 - Deductive Reasoning required to decipher.

Aspect to Aspect 
 - Scene setting - no apparent shift in time.
 - Shows different aspects / views of the same scene. EG, focusing on different objects in a room.

Non Sequitur 
 - No logical relationship between panels
 - Closure? Up to the reader to decipher.
Picture
'Curse of the Molemen' by Charles Burns (2007)

​The exchange between the mother and Tony is a subject transition, as it shows a shift between the two characters. When Tony gets out of bed to look out of his window, it's an action transition. When he notices movement out of the window it is a moment transition as there is very little time between the two panels, he is half way through his sentence when the panel moves on. There is a subject transition as it shows the monster climbing out of the hole and there are two more subject changes in the next two panels as tension builds between the two characters. 
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<![CDATA[Week 3- Decoding Advertising]]>Wed, 17 Mar 2021 13:33:06 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-3-decoding-advertisingNotes from the lecture
Barthes & connotation:  signifier + signified = denotative sign (+ connotative signifier)
denotation: literal understanding - the most immediate reading of a sign - depends on consenus.
connotation: secondary meaning - a sign may trigger off a range of associations (intertextuality).

TYPES OF ANCHORAGE
  • word specific 
  • image specific
  • dual message 
  • interdependent (or convergent) 
  • parallel (or divergent)

“The myths which suffuse our lives are insidious precisely because they appear so natural they call out for the detailed analysis which semiotics can deliver.” [Roland Barthes - Mythologies]
Myth
‘myth’ refers to . . . sites in mainstream culture which;
• reflect societal norms or dominant ways of thinking about people or places.
• are structured to send/propagate message which may be ideological (politically motivated) - or serve the interests of select groups in society.

Advertising & Myth
  • Ads are particular to time & place  and reflect current political ideas/social ideals/cultural trends.
  • Ads reinforce particular cultural myths which are often presented as ‘natural’ - but represent a cultural norm or dominant ideology​
Aspirational selling
• will reflect a target consumer
• plant the ‘seed of need’
• upwardly mobile associations
• link status > consumption

Concealment
• hide/do not show production or economic structure 

Maslow's Hierarchy of Needs
Maslow's hierarchy of needs is a motivational theory in psychology comprising a five-tier model of human needs, often depicted as hierarchical levels within a pyramid. From the bottom of the hierarchy upwards, the needs are: physiological (food and clothing), safety (job security), love and belonging needs (friendship), esteem, and self-actualization.
Needs lower down in the hierarchy must be satisfied before individuals can attend to needs higher up.
Maslow's hierarchy of needs is a motivational theory in psychology comprising a five-tier model of human needs, often depicted as hierarchical levels within a pyramid. From the bottom of the hierarchy upwards, the needs are: physiological (food and clothing), safety (job security), love and belonging needs (friendship), esteem, and self-actualization.
Needs lower down in the hierarchy must be satisfied before individuals can attend to needs higher up.
Magazine ads. frame of reference 
  • the advertising business is highly professional and competitive and lucrative - companies in the service sector spend vast amounts of money on advertising and the construction of brand identities etc. 
  • people who work in the industry are often highly creative and well educated and aware of current cultural trends (and the use of semiotics to convey messages).
Barthes argues that magazine ads are a mix of linguistic and image signs that form these messages 
i) Linguistic Message ​
  • non coded (literal reading of linguistic signs)
  • coded (connotations of linguistic signs) 
ii) Image Message
  •  non coded (denotative reading of image signs)
  • coded (symbolic/connotative reading of image signs) and that a close analysis of the ‘coded’ messages will reveal any myths contained within.

Analyzing ads.

Further advert analysis

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<![CDATA[Week 2- Reading Words and Images]]>Wed, 17 Mar 2021 13:32:39 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-2-reading-words-and-imagesNotes from the Lecture. 
ANCHORAGE- The words that accompany an image (still or moving) give the meaning associated with that image. If the caption or voiceover is changed, then so may be the way in which the audience interprets the image. An image with an anchor is a closed text; the audience are given a preferred reading

INTERTEXTUALITY- the relationship between texts, especially literary ones.

The Treachery of Images by René Magritte

The Treachery of Images is a painting of a pipe with the words, 'Ceci n'est pas une pipe' written beneath it; this translates into This is not a pipe. 
One of our tasks was to make a copy of the famous painting. Here is my attempt below; it was done using Procreate on my iPad.
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<![CDATA[Week 1- Semiotics]]>Wed, 03 Feb 2021 14:42:25 GMThttp://ffionmedijones.grillust.uk/notes-and-blog-tasks/week-1-semioticsToday's lecture was all about semiotics. Semiotics is the study of signs and symbols and their use or interpretation. Here are some notes I made before the lecture so I could have a better understanding: 

Notes from the Lecture.

During the lecture with Nick we were asked to watch a clip on a wrestling match from 1981 (shown below) and think about how semiotics is relevant to this video.

Semiotics in wrestling.

 1. How is the role/character of each wrestler defined and communicated to the audience? 
When the wrestlers are announced you could argue there is a slight bias towards them. For example Big Daddy is presented as a 'famous' TV Personality whereas Giant Haystacks is presented with just his, height, weight and name. Now, I think both of them are dressed hideously however looking past that, Big Daddy (you could argue) is presented a lot better than Giant Haystacks, eg. BD to begin with has a red sparkly cloak and golden hat and underneath is wearing a white costume, whereas GH is scruffy looking with his hair and maroon costume. Furthermore, BD waves and smiles at the audience and GH ignores them and sneers therefore you could argue that this displays a hero and villain dynamic. 

​2. What is the role played by the commentator?

The commentator acts enthusiastic and puts things into context; he narrates the 'story' and the events that unfold during the wrestling match. 

3. What about the role of the referee? 
In this clip, the referee seems to be there more for comedic purposes as opposed to the kind of referee you'd see in a rugby match for example. He seems to add more 'drama' and indirectly engages the audience when he's knocked over and replaced with another referee. However I think, within the narrative of the wrestling match, he does act as someone that tries to ensure that the fight is fair and that the rules are being adhered to.  

4. Crowd Response- is the action in the ring clear to follow? If so, how is this made possible?
I find that the gestures of the wrestlers are greatly exaggerated in order for the audience to clearly see what is happening in the fight. The cheers and boos coming from the audience denote how they feel towards the wrestlers and the actions of the fight itself. 
 
5. Based on observation- would you classify wrestling as a sport? 
I don't really think that you can classify wrestling a a sport. To me, it's more of a performance art. The theatrics are clearly rehearsed beforehand and therefore the outcome of the match is predetermined. I think for it to be a sport, there has to be an element of competition and not knowing who the winner would be. There's no doubt that wrestlers are in themselves athletes, personally I think that they train hard to ensure that the story they have to act out is done so safely and professionally. But I wouldn't classify this as a sport, it's more of an act. 
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